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A range of thought experiments testing technology’s influence on image making, sculpture and painting. The materiality of the artworks jumbles legibility, using materials from my immediate environments like synthetic hair, recycled plastic, old ideas as well as personal and found objects. As mediators of new time-space meanings, these objects reflect and pursue the intercises of mundanity and futurity through an anti-disciplinary approach that oscillates between abstraction and figuration. A hybrid of techniques, from nigga rigging to generative image modeling, are deployed to activate said meanings.